I am normally a fan of Brenton but...
God did this one drag on.
I'm not saying it's not good -it is good. Just not my thing. Kind of seemed endless to me. Or maybe I just dislike the Lyttleton stage for being so annoyingly big.
Whatever, anything to see Robert Glenister, even in a very supporting role.
Monday, 21 April 2008
Sunday, 20 April 2008
Mark Ravenhill Double Bill, Royal Court, 16, 17 & 19 Apr 2008
Yes, I went to watch the "Fear and Misery/War and Peace" double bill three times.
And it wasn't just because of Joseph Millson. (Though I can't deny his flawless performance had a lot of weight in my decision).
I have no trouble admitting just how much I love Ravenhill's work and I think he is getting better and better at short plays (the New Connections assigments are really joyful to watch on stage). I like "Fear and Misery" slightly better (and then again, maybe it's just Joseph Millson) but both pieces are excellent and putting them together helps them achieve a fuller impact on the audience.
Burn Gorman was a pleasant surprise and he was quite impressive in his role. Will have to follow his next steps closely.
I can't honestly remember a night out at the theatre where I felt this satisfied in months. Well done, Royal Court, well done.
Labels:
actors i love,
joseph millson,
not west end,
royal court,
writers i love
Friday, 4 April 2008
God of Carnage, Gielgud Theatre, 3 Apr 2008
I somehow had forgotten how hilarious Ralph Fiennes could be.
Great fun of a play, one is thankful for the lack of interval and although I wish Tamsin Grieg's character had a bit more flash, all in all there's little to complain about in Reza's comedy. I am sure it dealt with many great themes but seriously, I couldn't be bothered with a deep analysis of it.
As the big fan of Takin Over the Asylum that I am I enjoyed seeing Ken Stott on stage a great deal, too.
This is probably the kind of play one could recommend to practically everyone, it's a crow-pleaser and for once I don't use that expression with as much disdain as I could.
Great fun of a play, one is thankful for the lack of interval and although I wish Tamsin Grieg's character had a bit more flash, all in all there's little to complain about in Reza's comedy. I am sure it dealt with many great themes but seriously, I couldn't be bothered with a deep analysis of it.
As the big fan of Takin Over the Asylum that I am I enjoyed seeing Ken Stott on stage a great deal, too.
This is probably the kind of play one could recommend to practically everyone, it's a crow-pleaser and for once I don't use that expression with as much disdain as I could.
Tuesday, 1 April 2008
The Lover/The Collection, Comedy Theatre, 27 Feb 2008
Charlie Cox was very good in it. Like very VERY good. Colour me surprised. A star is born.
The rest of the thing was excellent as well. One has to love Pinter's playfulness, always. Great set design and with Gina McGee (I was so excited upon seeing her) and Timothy West in the cast very few things can go wrong.
Friggin expensive, though. Worth it, anyway.
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